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Die Kraak'

YEAR

February - June 2023

STUDIO

Bachelor of Design [Spatial Design]
Year 1, Semester 1

PROJECT TYPE

Public Immersive Installation

LOCATION

Tāmaki Makaurau, Aotearoa New Zealand | AUT

KEY THEMES

Kintsugi | Material Honesty | Public Installation | Light | Native Planting | Sustainability | Reflection

SOFTWARE

Photoshop

The Crack | Immersive Installation Garden

Die Kraak (The Crack) was my first university project and marked the beginning of my exploration into architecture as a medium for storytelling. Rather than viewing imperfections as elements to conceal, I became fascinated by the possibility that they could reveal something more meaningful. Inspired by the Japanese philosophy of Kintsugi, where broken ceramics are repaired with gold to celebrate rather than disguise their fractures, I began to question how architecture might also embrace damage, resilience, and repair as acts of beauty.

Situated within a transitional public space in Tāmaki Makaurau, the installation reimagines a fracture in an existing retaining wall as an immersive spatial experience. What initially appears as a simple crack gradually reveals a hidden garden, where filtered light and native planting emerge from within the wall itself. The intervention encourages visitors to slow their pace, pause, and reconsider what often goes unnoticed, transforming an ordinary passage into a moment of reflection.

Light became the project's primary narrative device. Designed to move with the body, it traces the fracture through the wall, echoing the unpredictable paths created by cracks as they form. Rather than functioning solely as illumination, the light symbolises the gold within Kintsugi, quietly celebrating imperfection and revealing the hidden qualities of the space. Native planting, including kawakawa, bird's nest fern, hosta, and baby’s tears, softens the intervention while reinforcing the idea that new life often emerges through moments of disruption.

Environmental responsibility was integrated into the proposal through a passive rainwater harvesting system concealed within the wall. Rainwater is collected, filtered, and redistributed to irrigate the planting, allowing the installation to respond naturally to Auckland's changing climate while maintaining a healthy and self-sustaining landscape.

Although this was my first architectural project, Die Kraak established themes that continue to underpin my work today: material honesty, sensory experience, sustainability, and the belief that architecture has the ability to reveal beauty within the overlooked. It became the foundation of a design philosophy centred on creating spaces that invite reflection, celebrate imperfection, and encourage a deeper connection between people and place.

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